![]() ![]() The key to muting the strings properly and keeping the notes separate when barring is using what's know as the rolling technique. As usual, let us know what you think of this lesson in the comments below.Muting the strings with the left hand can be difficult whenever two or more consecutive notes are on the same fret, as when sweeping a familiar barre chord shape. Don’t forget to subscribe to Guitar Command for regular guitar news and articles. We hope that you found this lesson useful, and are experimenting with arpeggios in your own lead lines. Minor Arpeggio Blues Lick 1 Minor Arpeggio Blues Lick 2 Minor Arpeggio Blues Lick 3 ![]() They combine arpeggios with blues scales. The following licks demonstrate how minor arpeggios can be used to play blues-style licks. Minor Arpeggio Lick 1 Minor Arpeggio Lick 2 Minor Arpeggio Blues Licks If the notes are allowed to overlap, the effect will be lost and the line will just sound like a chord being strummed.īecause sweep picking is usually used in fast passages, the technique requires good coordination between picking and fretting hands. The fretting fingers should be positioned ready to play the notes, but should only allow the string to ring when they are picked. When sweep picking, only the note being picked should be allowed to sound. ![]() The ‘n’ markings above the notes represent down strokes. ![]() For example, the first four notes of Lick 1 below are all played with the same downward stroke. The pick is moved smoothly over the strings in one continuous movement. Sweep picking is a technique in which notes on two or more adjacent strings are played with one stroke of the pick. Picking directions have been included to show how sweep picking can be used to play arpeggios. Below are two examples in notation and TAB. Minor arpeggio shapes can be combined to create longer licks and lines. A Minor Guitar Arpeggios TAB Combining Minor Arpeggio Shapes Remember that the arpeggio shapes do not all start on the root note. The above shapes will produce A minor arpeggios if the blue notes are positioned over A notes on the fretboard. This allows you to extend your lines to include all the available notes in that fretboard position. Notice that some of the arpeggio shapes include additional notes above or below the root notes. This means (for example) that if you position the blue notes in the diagram over G notes on the fretboard, the arpeggios produced will be G minor arpeggios. The root notes for each shape are shown as a blue circle. The following diagrams show movable minor arpeggio shapes. We’ll then provide some licks that have been created with the arpeggio shapes, so you can get an idea of how they can be used. In this lesson we are going to be looking at some minor arpeggio shapes. We’ll also demonstrate how sweep picking can be used to play arpeggios in lead guitar lines. Example arpeggio-based blues licks are provided further down the page. Even a blues guitar solo can be spiced up with some arpeggio licks. Rock and metal guitarists use arpeggios all the time, as do jazz guitarists. This lesson will focus on minor arpeggios.Īrpeggios can be used in lead guitar solos in any kind of music. Arpeggios are very effective in lead guitar lines as they break up scale-based passages and add interest and variety to solos. In a previous lesson we took a brief look at lead guitar arpeggios. ![]()
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